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Amy Tan (Bloom's Modern Critical Views) by Sterling Professor of the Humanities Harold Bloom

By Sterling Professor of the Humanities Harold Bloom

The enjoyment success membership and The Kitchen God's spouse are of the $64000 works by means of this renowned novelist. This identify, Amy Tan, a part of Chelsea apartment Publishers’ glossy serious perspectives sequence, examines the foremost works of Amy Tan via full-length severe essays through professional literary critics. moreover, this name contains a brief biography on Amy Tan, a chronology of the author’s existence, and an introductory essay written by means of Harold Bloom, Sterling Professor of the arts, Yale collage.

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Extra resources for Amy Tan (Bloom's Modern Critical Views)

Sample text

She creates her own narrative by seeming to affirm popular American assumptions in the formula of the popular novel and then undermining that very narrative in a complex political allegory that questions the basic American (indeed Western) concepts of truth and rationality. In keeping with this subtly deceptive plan, The Kitchen God’s Wife seems at first like a lively but somewhat clichéd popular novel, a modern pseudofeminist retelling of the folklore story of the abused wife (patient Griselda in the West, the kitchen god’s wife in the East) who wins her husband’s love by passing all his tests or his remorse by her generosity of spirit.

Switching from English to Chinese can express rejection and anger, as when June’s mother berates her for not trying hard enough at her piano playing: “‘So ungrateful,’ I heard her mutter in Chinese. ‘If she had as much talent as she has temper, she would be famous now’” (p. 136). Or, the switching of codes may initiate a shift into a different register of intimacy, as when the same mother speaks in Chinese when making her daughter a gift of a jade pendant (p. 208). To express her resentment against an American husband who persistently puts English words in her mouth, Ying-Ying uses Chinese exclusively with her daughter (p.

These were words I have never thought about in English terms. I suppose the closest in meaning would be ‘confused’ and ‘dark fog’” (p. 188). In discussing the use of “multilanguedness” in women’s writings, Patricia Yaeger suggests that the “incorporation of a second language can function Daughter-Text/Mother-Text 25 . . as a subversive gesture representing an alternative form of speech which can both disrupt the repressions of authoritative discourse and still welcome or shelter themes that have not yet found a voice in the .

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